Tuesday, March 23, 2010

Week 5 - Final Cabin Drawings


... ARCHITECTS CABIN...








- A House is an Environment Filter -
The Cabin design is conditioned by Geoffrey Bawa's outlook of incorporating the outside elements of a site into the inside of a design. The solid fence and walls that surrounds the site, blocks the user from unwanted noise and wind, while also offering private spaces outside that can be used. This kind of design creates vegetative barriers from unwanted activities around the property. Allowing the user to experience the Cabin to its full potential as it efficiently acts as a filter from the certain aspects of the surrounding environment. Although the Cabin also embraces the fact that it backs right onto a park, allowing the user to catch glimpses of the established park when in the northern courtyard of the Cabin, this offers a delightful experience.The abundance of courtyards in and outside of the house offer a delightful experience while also displaying functional properties. Some of these functional properties include; allowing fresh cross ventilation throughout the Cabin and also filtering the direct sunlight through the heavy vegetation contained within the courtyards to offer diffused light. Due to the area being of sub-tropical climate it was important to create a Cabin that allowed for windows to be kept open during the day time (the windows in the internal courtyards allow this), the Cabin allows for this whilst still being able to feel safe and secure.

- A House is a Container for Human Activity -
The spatial relationships in the Cabin design have been deliberately placed to ensure private spaces such as working and sleeping areas have been zoned away from the public spaces which consist of the dining, kitchen and living rooms. Further, throughout the Cabin there are private and public courtyards which allow a delightful experience. When circulating through the spaces you are constantly confronted with pleasant outdoor spaces, which relates back to an important concept of Geoffrey Bawa's.

- A House is a Delightful Experience -

The form of the building is condition by the idea of Bawa's, that containing the site into the floor plan creates much delight. When viewing from the outside of the Cabin, the design looks rather closed off due to the lack of windows in the walls. You become surprised as you enter through the front courtyard gate to reveal the inside of the Cabin which contains a diverse range of spaces all offering uniquely delightful experiences. The Cabin utilized the existing vegetation and large natural rocks which were found on the site prior to its existence. With following Geoffrey Bawa's intent and persistence of wanting to use local materials, the walls in the design of the Cabin are of rammed earth (a locally sourced material) which exhibits high thermal mass allowing the slow release of heat when surrounding temperatures decrease. This material is aesthetically pleasing whilst at the same time creates a welcoming feeling. As mentioned above noise can be blocked out very efficiently by this material. Finally a delightful experience is felt as you walk through the Cabin past the outside and back into the inside spaces allowing you to feel at one with nature.

Week 4 - Design Process


SPATIAL ARRANGEMENTS


- Parti Idea -

I feel that courtyards and or internal gardens in my design will offer a delightful experience and an environmental filter, that protect the inside of the Cabin from harsh direct sunlight.

- Matrix and Bubble Diagrams -

Figuring out the spatial arrangement of my cabin was an important step for me to understand where to position the courtyards and internal spaces, as my is aimed to capture the site surroundings and vegetation.

- Rough Floor Plans & Circulation ideas -

I wanted to exemplify the Parti ideas by creating a circulation around the Cabin that moves in a similar direction to the cool breezes that enter.

- Small Conceptual Vignettes -

These small vignettes offer insight into the beginning ideas of the interior spaces

Wednesday, March 17, 2010

Week 3 - Analysis of Site 'Urban Utopia'

Urban Utopia - Site Location

SCALE 1:5000

SITE PLAN - and immediate neighborhood


- Site Placement Choice -
The location chosen is ideal for all of my exemplar houses and my cabin, due to the ground flattening off in this area north of Parti Peak. Further, the technical reason for why i chose the north side of the mountain was due to being able to have access to natural sunlight all through the year without the mountain blocking the low angles of the winter sun. This location exhibits a sub-tropical climate therefore the need for natural south-easterly cool breezes is very important, the cabin and exemplar houses take full advantage of this by being in a location where the mountain does not inhibit this.

- Site Sections -



SITE ANALYSIS - opportunities/constraints/climate control


- Site Response -


By being guided by my exemplar whom which had a flat site to work with, the section of the site in which i have chosen is at the north edge of the mountain where it has flattened off. I have included a park in the north end of the site that backs onto the site of my Architects Cabin. I wanted to include a park in the site that you can actually get glimpses of from the cabin to create a feel safety, comfort and tranquility.



Monday, March 15, 2010

Week 2 - Analysis of Archetype



CHOSEN EXEMPLAR - GEOFFREY BAWA: 33RD LANE



The site prior to what it is today contained 4 small bungalows which Bawa transformed into the house it is today.

The house is at the end of a quite lane.

Bawa uses all local materials and practices local building techniques.

Every area of the house is attached to the outdoors allowing light to flow in and creating efficient ventilation.

Has an intimate relationship with nature.

Strong attention to the sequencing of spaces, the creation of vistas, courtyards and walkways.

A blend of modern and tradition, formal and picturesque.

Strongly evokes the pleasures of the sensors that go hand in hand with the climate, landscape and culture of the ancient Ceylon's


Robson, D. 2002. Geoffrey Bawa - The Complete Works. London. Thames & Hudson.


GEOFFREY BAWA'S PLANS AND SECTIONS
Geoffrey Bawa is very well known for his free hand working drawings. Bawa allows these kind of drawings to exhibit a unique character by beautifully showing the landscaping and the pure fact that they they are drawn by free hand.

IMAGES: Taylor, B. B. 1995. Geoffrey Bawa. London. Thames & Hudson.

MY REPRESENTATIONS OF BAWA'S 33RD LANE DRAWINGS



Diagramming of Spatial Arrangements & Design Responses



Week 1 - Archetype Research

EXEMPLAR 1 (INTERNATIONAL): GEOFFREY BAWA - 33RD LANE

Whilst researching the 33rd Lane House by Geoffrey Bawa along with other works of his such as The Ena de Silva House, The Madurai Club and Kandalama Hotel I began to understand his style. From simply studying his floor plans you begin to see that he tends to incorporate many internal walkways and courtyards to allow light to filter into the spaces, rather than large windows allowing direct light to enter the spaces. Below you can see this kind of formation in the 33rd Lane House in Colombo.

- a house as a container for human activity -
Geoffrey Bawa has a distinct style in the way he arranges spaces in his designs, he distinctively separates private from public spaces whether it be by solid walls or internal courtyards. The floor plan above exhibits an ease of transition from space to space although still allowing the user to experience something different from room to room.

- a house is an environmental filter -
As exhibited in the photos above it is evident that Bawa has carefully considered the environmental factors associated with Sri Lanka and inparticular Colombo. In his design the incorporation of diffused light instead of direct sunlight allows light to enter without heating the place up too much.

- a house is a delightful experience -
The factor that separates Geoffrey Bawa from other Sri Lankan architects is the fact that he is persistant with using local materials and traditional building styles of the sites region. The form of the outside of this house does not give away too much, creates a pleasure once entered. The play on light and use of natural colours produces a delightful sensory experience.

EXEMPLAR 2 (AUSTRALIAN): JAMES RUSSEL ARCHITECTS - BROOKES STREET HOUSE
I work in the Emporium complex just behind this house and have always been very interested in researching it.


- a house as a container for human activity -
This house takes advantage of the beautiful climate that we are blessed with in Brisbane offering fluidity of the inside and the outside spaces.

- a house is an environmental filter -
By incorporating a large courtyard open to the sky in the middle of this house James Russel Architects have achieved a distinct filter from the chaos of the Valley. The site location between two large heritage listed buildings also adds to this filter by creating the feeling of security. The use of leaved windows offer protection from the sun and rain.


- a house is a delightful experience -
Some have described the feeling of this house as a modern version of a Queenslander. I believe that this is true in the use of timber materials, the separation of spaces and the use of balconies of the bedrooms. also the use of stairs up to the entrance of the house adds to this theory.


EXEMPLAR 3 (AUSTRALIAN): BARK DESIGN - BARK STUDIO HOUSE

"Bark's aim is to create buildings that are design from the inside, out. Responding directly to the needs of the people who use them, buildings integrate directly with the natural encironment, insuring minimal environmental impacts and sustainability. Visually structures speak of lightness and transparency. Natural light, passive ventilation and cooling are fully explored to respond to the subtropical climate" (Bark Design, 2009).

The Bark Studio House in Noose really appealed to me aesthetically as it looks like a great working space for a small group of architects.



- a house as a container for human activity -
This house has conveniently been designed by architects for architects, provide a high level of functionality. With the public spaces located centrally on the first floor to accommodate for group collaboration and a more secluded semi private space on the top floor this house is perfect for a small architectural team.


- a house is an environmental filter -
As seen above in Bark Design's Intent the house effortlessly controls ventilation and sun by offering large windows and leavers on northern, eastern and southern sides with more protection on the fourth side to block the western sun. These window also take full advantage of the views. The house is lifted off the ground by four steel footings to reduce the impact on the natural surrounding environment.


- a house is a delightful experience -
The steel structure of this house offers a delightful experience by framing the untouched environment outside. The use of unnatural materials of the house and the natural surrounding environment juxtaposition creates a pleasant contrast.

REFERENCES
Bark Design Architects. 2010. Projects - Commercial - Bark Studio. Retrieved 10th of March, http://www.barkdesign.com.au/
Cilento, K. 2009. The Studio of Bark Design Architects. Retrieved 10th of March, http://www.archdaily.com/39543/the-studio-of-bark-design-architects/
Jayawardene, S. 1986. Geoffrey Bawa - Sri Lanka. Retrieved 10th of March from, http://www.archnet.org
Keniger, M. 1996. Bawa - Recent Projects 1987-95. Brisbane: Queensland Chapter of the RAIA.
Robson, D. 2002. Geoffrey Bawa - The Complete Works
. London. Thames & Hudson.
(n.d.). Geoffrey Bawa - Number Eleven. Retrieved 10th of March from, http://www.geoffreybawa.com
Taylor, B. B. 1995. Geoffrey Bawa. London. Thames & Hudson.
James Russell Architects. 2009. Retrieved 10th of March from, http://www.jamesrussellarchitect.com.au/